Showing posts with label Aleksandra Pryt 6144. Show all posts
Showing posts with label Aleksandra Pryt 6144. Show all posts

Friday, 13 May 2016

QUESTION 4-

Who would be the audience for your media product?


GENDER

Audience Research has demonstrated that thriller films are more popular with men than women with only 6/8 finding them enjoyable in comparison to only 3/15 women.
With this in mind we attempted to target the female audience more with an inclusion of a large amount of female characters (there are only female characters in the opening) including the two main roles of the homicide investigators, hopefully making it more relatable to the audience.


AGE

During the filming process we asked for feedback using social networking sites; knowing that the most regular social networking users parallel with the most regular cinema-going demographic (17-24). We used youtube to post a rough draft of our video and put links to the video on instagram to receive feedback.
Here are some things that we were told:

"Will it be turned into a real film? i'd be interested in how the story line would develop"
-Male 17

"Are you going to put in music? I think it works well without it; the background sounds set    the scene well"
-Female 21

While originally we were going to put in music we decided to adapt to the audience feedback and looped the background sound of falling rain to create an ambient and natural atmosphere with digetic sound.

PREVIOUS RESEARCH AND ADAPTATION TO IT.
We had also interviewed a group of 16-17 year olds, taking in mind our film would be a 15 (due to the themes it's dealing with and occasional strong language). They had told us that they found it 'boring' and 'long' when the 'Sixth Sense' credits came up separately on a black screen before the film had started, therefore we made sure to have credits overlapping the initial scenes.

-However looking at film openings such as 'Zodiac' i saw there was a gap in credits as a shot of a sign was showed; this gave the audience time to focus on the writing rather than reading the credits, we therefore tried to not have too many credits in the second section of our opening, where the detectives are speaking: This in turn gives the audience time to focus on the dialogue which naturally would happen; leading people to neglect the credits.



SIMILAR FILMS COMPARISON

'Gone Girl' is a relatively recent film with a similar storyline and dealing with similar themes therefore we had decided to look at statistics and reviews.





 Demonstrated that:


The film was based on a novel with a cunning female narrator so this adaptation shows how female audiences can be drawn in if there is an increase in female characters; here there are the characters of 'Amy' and 'Rhonda' both playing pivotal roles.




Monday, 18 April 2016

Evaluation 7-Aleks

Looking back at your preliminary task what do you feel you have learnt in the progression from it to the full product?

NEW PRODUCT EVALUATION
PRELIMINARY TASK EVALUATION


Production credits:

While this may look like a sped up version of footage it's admittedly in real time; the credits and title pop up for 2 seconds altogether and in the wrong order; here the title appears on screen first (not to mention the 'description' tab under it which remained unedited and untouched) then followed immediately by the 'studio 1 production'. The producers and distributors logos should appear on screen first, then are repeated in credit format as the initial credits, followed by director and main actors and then the title (normally with an average of a 5 second gap in between); this can differ slightly but such is a traditional opening layout in terms of text.

Our new product displays our better understanding of credit layout. Following research and timeline creation, we have put together an opening that follows the traditional layout of real media products.
Moreover we have created our own animated production logos using software outside of final cut pro such as go animate and biteable, making the opening look more professional than the prelim with its 1 second display of a red coloured credit in the corner as still text.








Camera angles, shots and movement:
Here the shakiness is visible without a swift camera path and movement. A shaky camera, unless a p.o.v shot which deliberately uses handheld camera, really takes away from the effect of any media product making it look unprofessional. 

In our actual thriller opening we tried to keep pans as smooth as possible with a straight camera path.





Software usage:
The lightleak effect from final cut pro is used without subtlety in the preliminary task to mask a lack of continuity; the footage starts with the girl already walking after shes opened the door. An effect layered on really obviously can look almost comical and cringe worthy, whilst here we made sure to use the precision tool to make sure it comes in just as the natural light enters the camera it does not work very successfully, highlighting the importance of planning shots well rather than opting for fixing the footage in post production.

Final cut pro's effects came in handy when creating our real piece, yet this time we opted for a more sophisticated cross fade; merging two pieces of footage so that one fades into the other. The cross fade was useful to show time passing or establishment of a new scene, moreover it allowed us to 'cross fade' to black meaning a smooth fade out rather than an abrupt cut to black. I think this better use of software shows a development of our confidence with equipment, especially considering that, put together, editing took us just a little longer than it did for the preliminary task.

Shot types:

Though shot reverse shot is done correctly, portraying the conversation from the listeners perspective, the dialogue is very short with one word exchanges such as 'yeh' which made it hard to edit so that the conversation would look smooth resulting in a very jumpy, high speed effect.
Post-production, through cuts, can control the pace of action and here this is not done effectively as instead of the slow pace of a drug deal; establishing perhaps a feeling of mystery, there's a very quick pace giving the audience no time to think about what is happening.
Furthermore these short cuts make not only the image jumpy but the sound too, a lack of smooth audio makes the clip almost uncomfortable to listen to.

In our final product we do not use the shot reverse shot as we believed a two shot would be more effective, portraying the two detectives together as a team, rather than as individuals, and thinking that the pace that a shot reverse shot can bring (with the limited dialogue we had) would be too quick for the still enigmatic atmosphere of the slowly unraveling story. This showed a much better control of pace compared to our preliminary task and made dialogue much smoother and clearer.


Planning:
For our preliminary task we had little to no time to plan; all we really had time to decide on was the theme of the short clip which rotated around a drug deal, however we did not plan step by step what was going to happen; instead we did it as we went along. Furthermore location was not planned either it was just a place we happened to walk by a yet again spontaneous decision.
For our real product we had time to plan thoroughly with a shot list and later storyboard showing step by step camera shots and movement, a costume and prop list which was sent to the actors and crew and a picked location; down to the very specific spot.
Planning helped us to gain better continuity as we would know to re-film shots from the same point but at different angles rather than estimating where a person should start walking from and then having them look like they teleported as in our prelim (light leak transition gif).
Although filming still took a considerable amount of time, especially considering weather conditions and the 30 minute walk its-self to the park's cafe, (in order to change into costume for the second scene) this all would've taken double, if not more, time to do if all was done spontaneously; not to mention that something would most definitely be missing and the likelihood is we's have to travel back down to re-film.
Storyboarding, in particular, was useful as through the animatic we had a rough idea of how long the opening would be and thus if we needed to include any more footage or cut any out. We mainly stuck to our storyboard using it as a firm guideline and check list however did experiment with certain shots, such as the establishing shot for the second scene, we did this in order to make the best of the weather conditions, believing that the rain would be very atmospheric, therefore wanting to highlight this element of pathetic fallacy.


Overall we have improved our understanding of software and hardware used for film making at a basic level, gaining a better understanding of the programmes built in features as well as exterior elements brought in from other sources (i.e our production logos). Furthermore i think we have gained an appreciation of the time and effort that goes into creating media products at all 3 stages of production.
Though there's still much space for improvement, I believe our final product is of a relatively good quality with the props and setting playing a major role in this, placing importance on the pre-production research and planning phase.

Sunday, 17 April 2016

Evaluation 3- Aleks


Q3 institutions from prytaleksandra



Producers, distributors and subsidiaries 

News Corporation
The major studio subsidiary is 20th Century Fox, while independent movies are distributed through its Fox Searchlight Pictures. Other companies under News Corporation include Fox Faith, 20th Century Fox Animation, Blue Sky Studios (coincidentally our distributors name) and Fox Animation Studios.

Walt Disney.
Walt Disney has the subsidiary distributor 'Buena Vista'.


Our distributor is called Blue Sky Studios 
And our two production companies Reel Time pictures and VN productions.

Our distributor was not a subsidiary of our production companies; they were all stand alone elements, differing from those of the big Hollywood productions, furthering the idea of our film being an independent production.


What is the role of a distributor?
A distributors role divides into two sections
1) the logistics with transportation (or in modern days dealing with encrypted files) to the cinemas
2) the marketing campaign: spreading the word about the film in order to gain an audience.



Where would our film be released?


Our film would most likely be released in cinemas such as  

Rio in Dalston 



                                    or Art House in Crouch End

these are indie cinemas with their programmes leaning more to foreign or independent films while still remaining popular among Londoners who voted the two into the top 3 independent cinemas in London meaning our film would still be open to a large audience.

An alternative way of releasing our film could be allowing it to be rented on the internet like many independent films who through their small budget often don't afford screening films in cinemas. However i think watching this thriller on a small screen such as that of a laptop or alternative smaller device, would ruin the ambiance, the atmosphere.

How would it be advertised?

Evaluation 5- Aleks

How did you attract or address your audience?

Personally I think the main ways to draw in an audience is
-A)with a stellar cast
-B)with an interesting plot
No reply from Leonardo DiCaprio meant option A was off the list leaving us with the plot…. 

What makes a good plot?
Personally I find films with big plot twists the most appealing, these are also often the most successful films. Take for instance thriller films such as Game or Gone Girl ;you wouldn’t ever see ‘it’ coming. This sense of enigma keeps the audience involved throughout, attempting to solve the mystery themselves up until the point of revelation where they will find themselves gaping at the screen in surprise, or convincing those around them that they had their suspicions from the very beginning.
In order to successfully create plot twists there must be appropriate presentation of characters and action to draw the audience’s eye away  from the reality of the plot while simultaneously having the answer at arms reach.
-Seven is a good example of this with the criminal constantly passing by, in fact when Mills is dismissive of what seems like a paparazzi on the stairs it is later revealed as John Doe- (the criminal) in a quick montage, triggering long ‘Ohs’ of understanding from the audience or self-scolding of ‘how could I miss that’
I definitely think it’s all about the viewers mental battle.

What also must not be overlooked, is the way characters are built up. The writer(s), director(s) and actor have the most input when it comes to character presentation.
Once again this is in relation to the viewers emotions. Above all the most effective way to impact the audience through characters is make the audience empathize with them, fall in love with them and then watch them crumble in an awful break down; cruel but memorable.

Our Plot
I think the audience, at this point, could find a way of relating to any of the characters portrayed in the opening; this would most likely be female viewers because all three characters are female. However the matter of age also comes in with teenage viewers of 15+ (as this is our age rating) relating more to the jogger due to her young age whilst older viewers in their 20s+ more to the detectives who are older, visibly having a job.

If the film was to be extended from the opening a plot twist would be present due to the presentation of the suspect straight away; the detectives already seem to be taking this lead (‘looks like another one of the lake-side stranglers victims’ ‘Shawcross?*’) so as the film progresses they would become more and more sure whilst they are being tricked by the actual killer who works with extreme precision, having planned all of this over years.
*Shawcross was an actual murderer meaning our thriller would be based on a true story or incorporating real events- this alone often draws viewers in as it adds an increase to the eerie air; knowing something like this actually happened makes you feel more on edge.

Suspense
Suspense would not only be created through the plot and characters but also through Camera movements and angles and Sound, two key areas.
Sound could be used in the form of:
-music underlying and not dominating the scene but setting the mood
-Diegetic sounds such as foot steps, page flicks, or breathing.
-Silence: sometimes silence can be the most effective way of creating tension with films consisting mainly of some sort of background noise; thus it’s displacement can make the viewer feel on edge.



Marketing Campaign
What most feature films would do too is have a marketing campaign with film posters informing of a release date and social media building up the hype, usually with exclusive footage and countdowns. This stage is important as you need to spread the word to attract your audience.

SOCIAL MEDIA:
Our film had its own twitter page with backstage content; sneak peeks of the set and a countdown to the release:


A few tweets:





POSTERS:
I also created a potential film poster (with the application superimpose) which can normally be seen at bus stop shelters or in the underground







Evaluation 1- Aleks

Evaluation 2- Aleks

Evaluation Question 6- Aleks




Friday, 4 March 2016

Production logo ideas

Production Logos

From my research of legitimate film production logos I've taken a look at what they require however taking in mind my lack of experience in graphics and animation I decided to look at less complex logos.




Here an incorporation of the film and film reel can be seen with word play of 'reel' with 'surreal' and 'helium'.

These logos seem to be more suitable for our media product and also look more like independent production companies, furthering their suitability.


The Final Products.

 








Production logos



PLANNING: Health and Safety



Health and Safety






3 point lighting


Friday, 26 February 2016

Mini pitch plus Q&A


As a group we came to a decision about the idea of what we are going to do for our Thriller. the ideas we gave in our mini pitch were a rough idea about what is going to be in our opening sequence. From the feedback we received about the ideas we had in mind of our Thriller were very helpful as we were able to see what was good or bad and if something needed changed a little. The feedback was good for our group as a whole because we were able to go in more depth to our audience and explain why we are having no dialogue in our opening for example to give them a better picture of our ideas which enables us to get good thorough feedback. As a whole the concept of our thriller was good and from the feedback it was mostly positive.

Mini Pitch


Tuesday, 23 February 2016

https://www.surveymonkey.co.uk/r/WXHP55F

https://www.surveymonkey.co.uk/r/WXHP55F

Podcast - Group discussion

https://soundcloud.com/melissa-preston-794115821/new-recording-2-media-2

Podcast 2

A scatter of initial ideas- Aleks

Initial ideas for thriller openings.

1-
Forest establishing shot= tree line
time of day dusk or dawn
antagonist with spade, whistling- tracking shot below the belt or from the back- not showing face
TITLE
police office/ detective investigation department. phone call.

2-
Religious/crime thriller
zoom into statues etc in church
religious music
TITLE
camera sweeps interior of church (mass)
religious music playing
sermon/reading = a brutal part of the gospel; something on the lines of an eye for an eye
final shot: candle -candle goes out shot fades

3-
Car 
radio on
shot so you can't see the drivers face.
person in the boot close up, bloody bruised swollen
car comes to a stop- shot of wheels rolling to a halt
shot from inside the boot - person listening - sound of their breathing.

4-
Missing poster 
busy street filmed over 12hrs dark to light- sped up 
titles overlapping

5-
virus mutation
world war z style
lab (short shots)
vs news reports montage

6-


Monday, 22 February 2016

Audience research - Focus group

 

We collected a small group of people who are roughly the audience we are aiming our Thriller opening to be targeted at and showed them the opening of the film Six Sense. Before they watched the opening we asked them several questions which were...


 
What makes you want to see a film?
How often do you go to the cinema? What would make you go more?
What would you expect from a Thriller opening?

Now that the  group have watched the opening, we then asked these questions...





What did you think was particularly effective about this opening?
Was there anything you thought was unnecessary or what would you change if this was your Thriller opening?
What sub genre of a Thriller do you think this would be?
What sub genre of Thrillers do you like?






Focus group





Focus Group Response -

A second series of questions was based on the opening of the Sixth Sense.

There was a criticism of the credits which were said to be too long; we can conclude from this that we should have credits that overlay the shots on our opening rather than two distinct halves( :credits on a plain black screen and then the opening scenes) so that credit can be given to the film makers but simultaneously an establishment of action can take place.